January 28, 2010
David gets it! His design prowess has had an enormous influence in visually expressing the goals and objectives of SOUND-goods.org. The ability to translate a business plan and interviews into a single image that speaks to the mission and heart of an organization is a rare talent. A well-crafted logo is a cornerstone of effective communication. David has my sincere appreciation and highest recommendation. Thank you, David!
Laura Pappas, Founder and Executive Director of SOUND worked directly with me at Empax. This is my first recommendation in Linkedin and it feels incredibly awesome. Thank you Laura!
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January 27, 2010
A drawing I made a year ago at the Dirty Weekend trial workshop. More photos of the trial workshop here. Photo by Steve Haslip

A drawing I made a year ago at the Dirty Weekend trial workshop. More photos of the trial workshop here. Photo by Steve Haslip

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January 19, 2010
2 years and 1 month ago Milton Glaser asked my fellow classmates and I to write a short but detailed story explaining how we imagined 1 day in our lives to be like in 5 years time. We even had to include what we would eat that day. Interestingly, 20 years would have been too far away and 2 years would have been way too close from what are lives were like at the moment. 5 years was the most challenging amount and that’s probably why Milton decided on this time span. It’s an awesome exercise if one does it seriously and although I did take it seriously, now I think that I was extremely romantic and idealistic about the experiment. Oh well, it’s a fun read 2 years later and now that I only have 3 more years left to reach those 5 years I wonder if I am doing anything at all to push myself towards this direction… Maybe this post is a start? Here’s the whole story:
I wake up early in the morning just outside Bamako, in the capital of Mali in Africa, where I am living alone in a typical Bamako home.
As I shower I play some loud Adria Punti to expand my imagination or a Mozart piano sonata to boost my mathematical and spatial reasoning.
For breakfast I eat a small but varied platter consisting mostly of market and garden fruits. I have been living in Bamako for a year and my French is starting to sound like the African French my neighbors speak to me.
I take my dog for a walk up the hill and breath in the fresh air as I look at the dramatic but peaceful sunrise. I run down the hill with my dog following me, open the wooden gate and grab my bike.
I need to go to the center of town where I am working on a permanent theatrical art performance with the Barcelonian deconstructivist theatre director Calixto Bieito, the Mallorquin abstract painter Miquel Barcelo and the British land-artist Andy Goldsworthy.
We work until the sun sets on a large human sculpture made out of dead trees, massive rocks that feel suspended in air and huge amounts of paint.
Miquel Barcelo, who has already done theater sets for Peter Brook asks me to come up with some sketches inspired on the sculptures by Eduardo Chillida, for the base of our sculpture. I do them as we listen to music by Takagi Masakatsu while we drink local beer and listen to an African township story explained by a wise local friend of Barcelo.
By the end of the night I am exhausted. I pick up my white bike and ride back home, dog by my side. When I get home, I feed him and then feed myself to some Humus, a salad and water. I read some random story on an old Spanish newspaper and go to bed. 

2 years and 1 month ago Milton Glaser asked my fellow classmates and I to write a short but detailed story explaining how we imagined 1 day in our lives to be like in 5 years time. We even had to include what we would eat that day. Interestingly, 20 years would have been too far away and 2 years would have been way too close from what are lives were like at the moment. 5 years was the most challenging amount and that’s probably why Milton decided on this time span. It’s an awesome exercise if one does it seriously and although I did take it seriously, now I think that I was extremely romantic and idealistic about the experiment. Oh well, it’s a fun read 2 years later and now that I only have 3 more years left to reach those 5 years I wonder if I am doing anything at all to push myself towards this direction… Maybe this post is a start? Here’s the whole story:

I wake up early in the morning just outside Bamako, in the capital of Mali in Africa, where I am living alone in a typical Bamako home.

As I shower I play some loud Adria Punti to expand my imagination or a Mozart piano sonata to boost my mathematical and spatial reasoning.

For breakfast I eat a small but varied platter consisting mostly of market and garden fruits. I have been living in Bamako for a year and my French is starting to sound like the African French my neighbors speak to me.

I take my dog for a walk up the hill and breath in the fresh air as I look at the dramatic but peaceful sunrise. I run down the hill with my dog following me, open the wooden gate and grab my bike.

I need to go to the center of town where I am working on a permanent theatrical art performance with the Barcelonian deconstructivist theatre director Calixto Bieito, the Mallorquin abstract painter Miquel Barcelo and the British land-artist Andy Goldsworthy.

We work until the sun sets on a large human sculpture made out of dead trees, massive rocks that feel suspended in air and huge amounts of paint.

Miquel Barcelo, who has already done theater sets for Peter Brook asks me to come up with some sketches inspired on the sculptures by Eduardo Chillida, for the base of our sculpture. I do them as we listen to music by Takagi Masakatsu while we drink local beer and listen to an African township story explained by a wise local friend of Barcelo.

By the end of the night I am exhausted. I pick up my white bike and ride back home, dog by my side. When I get home, I feed him and then feed myself to some Humus, a salad and water. I read some random story on an old Spanish newspaper and go to bed.

 
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January 6, 2010
A couple of days ago I woke up to an e-mail that made me very happy. Avery Gilbert, one of the sensory psychologists that helped me during my thesis research, had written an e-mail to me explaining how he had created a post on First Nerve (his blog on the culture of smell) talking about TOLO, my thesis project.
Avery, you write so well. Thank you!

A couple of days ago I woke up to an e-mail that made me very happy. Avery Gilbert, one of the sensory psychologists that helped me during my thesis research, had written an e-mail to me explaining how he had created a post on First Nerve (his blog on the culture of smell) talking about TOLO, my thesis project.

Avery, you write so well. Thank you!

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October 16, 2009
Every Saturday I get very excited because I have the privilege to go to the Art Director’s Club and participate in the Dirty Weekend Workshops created by my good friend Steve Haslip. My responsibility is to help organize and guide awesome students participating in the workshop. It’s the closest I have been to being an instructor and it’s actually exhausting and so incredibly rewarding. This flickr link will take you to more photos of last Saturday’s messy moments.

Every Saturday I get very excited because I have the privilege to go to the Art Director’s Club and participate in the Dirty Weekend Workshops created by my good friend Steve Haslip. My responsibility is to help organize and guide awesome students participating in the workshop. It’s the closest I have been to being an instructor and it’s actually exhausting and so incredibly rewarding. This flickr link will take you to more photos of last Saturday’s messy moments.

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September 17, 2009
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Finally, the post about my thesis project, the final MFA Design project created from September 2008 to May 2009. Thanks to Jan Wilker, Ken Carbone, Brian Collins, Gail Anderson and Veronique Vienne for their massive amounts of help/patience and of course to my friends/classmates who made it all worthwhile.
And here it goes!

Finally, the post about my thesis project, the final MFA Design project created from September 2008 to May 2009. Thanks to Jan Wilker, Ken Carbone, Brian Collins, Gail Anderson and Veronique Vienne for their massive amounts of help/patience and of course to my friends/classmates who made it all worthwhile.

And here it goes!

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July 15, 2009

Red

Hope you like the new “color at the end of the spectrum next to orange and opposite violet, as of blood, fire, or rubies” that I decided to primarily use for the blog. I am looking for a full time job while working on freelance projects at Empax, with whom I collaborated last summer to create the new brand SOUND.

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